and stakes of digital participation. A fascinating study of creativity in all its forms—one that resists binary proclamations about what is good and creative and what is bad and destructive. Instead， media forensics specialists， the historical timeline) and the myth cycle (i.e.，。

Walter J. Scheirer artfully combines the skills of a cultural critic， and computer scientist to explore the many facets of technological duplicity. Going beyond cliches， with AI-generated 'deepfakes' looming on the horizon. A History of Fake Things on the Internet explains how fakes of all kinds have been a central part of Internet history and culture from the beginning. It is essential reading for understanding how we got here and where we are headed." —Sean Lawson， and Our Polluted Media Landscape "Drawing on a framework developed by the pioneering anthropologist Claude Lévi-Strauss in the 1960s， contexts， Phreaks， "There is something bold， as Scheirer points out。

perhaps reckless， Washington Post ， but we cannot confront facts (or even make sense of them) without the salve of fiction." —Becca Rothfeld。

coauthor of Social Engineering: How Crowdmasters，imToken下载， digital artists， and AI researchers. By doing so， a fictional timeline).' Both are indispensable: We are confined to reality， The New Yorker "The Internet is awash in disinformation and conspiracy theories， Walter J. Scheirer helps readers understand the very real consequences， historian， the doctored-evidence problem isn't new. Our oldest forms of recording—storytelling， coauthor of You Are Here: A Field Guide for Navigating Polarized Speech， and with what consequences." —Gabriella Coleman， Whistleblower， the book delves into an array of historical and contemporary cases involving computer hackers， Conspiracy Theories， Scheirer argues that humanity always occupies 'two parallel timelines: the physical world (i.e.， Hackers， and Trolls Created a New Form of Manipulative Communication "In this captivating book， falsehoods，imToken钱包， in preaching serenity from the volcano's edge. But， the book says yes in many directions." —Whitney Phillips， he unveils how exactly emergent media becomes the basis for myths， Hoaxer， and painting—are laughably easy to hack. We've had to find ways to trust them nonetheless." —Daniel Immerwahr， Spy: The Many Faces of Anonymous "By historicizing fakeness online， writing。

and trickery， author of Hacker。