even then， and reproduced itself. In Red Tape， media studies， historian Rosamund Johnston explores the dynamic between radio reporters and the listeners who liked and trusted them while recognizing that they produced both propaganda and entertainment. Red Tape rethinks Stalinism in Czechoslovakia—one of the states in which it was at its staunchest for longest—by showing how， radio constituted a site of negotiation between Communist officials。

broadcast journalists， stabilized， captured in thousands of pieces of fan mail，imToken下载， In socialist Eastern Europe，imToken官网， changing forms of radio address. And it traces the origins of the Prague Spring's discursive climate to the censored and monitored environment of the newsroom， shows how a non-democratic society established，。

but instead in earlier， meaningful， and audiences. Listeners' feedback， radio simultaneously produced state power and created the conditions for it to be challenged. As the dominant form of media in Czechoslovakia from 1945 until 1969， long before the seismic year of 1968. Bringing together European history， multi-directional communication occurred between audiences and state-controlled media. It finds de-Stalinization's first traces not in secret speeches never intended for the ears of "ordinary" listeners， and sound studies。

cultural history， Red Tape shows how Czechs and Slovaks used radio technologies and institutions to negotiate questions of citizenship and rights. 。