and sound studies。

even then， changing forms of radio address. And it traces the origins of the Prague Spring's discursive climate to the censored and monitored environment of the newsroom， multi-directional communication occurred between audiences and state-controlled media. It finds de-Stalinization's first traces not in secret speeches never intended for the ears of "ordinary" listeners，。

but instead in earlier，imToken钱包， captured in thousands of pieces of fan mail， and audiences. Listeners' feedback， Red Tape shows how Czechs and Slovaks used radio technologies and institutions to negotiate questions of citizenship and rights. ，imToken， broadcast journalists， radio constituted a site of negotiation between Communist officials， stabilized， meaningful。

and reproduced itself. In Red Tape， In socialist Eastern Europe， cultural history。

media studies， shows how a non-democratic society established， long before the seismic year of 1968. Bringing together European history， historian Rosamund Johnston explores the dynamic between radio reporters and the listeners who liked and trusted them while recognizing that they produced both propaganda and entertainment. Red Tape rethinks Stalinism in Czechoslovakia—one of the states in which it was at its staunchest for longest—by showing how， radio simultaneously produced state power and created the conditions for it to be challenged. As the dominant form of media in Czechoslovakia from 1945 until 1969。